Favorite Film Cameras: The Rikoh XR-7M (1989)

By the 1980s, the development of the SLR had advanced to produce solid cameras with a remarkable list of specs. Some companies lead the market by spending tons of money on commercials, magazine advertisements and endorsements, others sought to offer good value for money. Now that these bodies are affordable and collectable, it is fun to check out what different design concepts could achieve. The Rikoh XR-7M is one of the unsung heroes of the age.

Skinny parking garage. Kodak Pro Image 100.

Ricoh itself dates back to 1938. In the 1980s, their range of SLRs included beginner, advanced amateur and professional models. The XR-7M features aperture priority with full manual override. The shutter speeds range from 8 seconds to 1/2000. You can use any of the Pentax K-Mount lenses on this typical 1980s style camera body. It handles well and the body is sturdy and durable. Although constructed to last, it is lightweight and quite ergonomic to operate. What I like in particular is the easy multiple exposure switch and therefore the ability to produce in camera double, triple, and multiple exposures.

The Ricoh’s double exposure function tested with expired “Farbwelt 200” film.

Like many of these models, they get little love: They don’t have the cache of big brand names and often fly under the radar of collectors. Which makes it easier to acquire them at a decent price! I would recommend investing in a deal involving a few lenses and a bag, this will not set you back very much.

Overpass from below (Kodak Pro Image 100)

Bargain price, good ergonomics, and plenty of potential to experiment: now wonder I enjoy using the 1980s SLR’s! With demand and prices increasing, it is still fun to seek out affordable mechanical machinery from the “golden age”. However, some of the camera may soon reach their natural demise, so if you have them in your collection, take them out for a spin and enjoy them.

Ghostlike apparition (Agfa APX 400)
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The lenses (made in Japan) are suitably sharp. I like the film “look”, and I do think sharpness is overrated, just like bokeh. Although I like the testing of “new to me” camera, I also enjoy investing a bit more time in producing better images. It is indeed satisfying to experience the ability of these contraptions to capture an image at all, yet it gives me pleasure to add a little spice and push them to the limits. And although I do experiment with expired film, I think the best way to do the vintage cameras a service is to honor them with fresh film to bring out their full potential.

Layers (Fuji 200)

The Ricoh XR-7m is a great vintage SLR from the best age of SLR camera manufacturing. The company and this particular model seem to have been underrated throughout their life span. A real discovery. It is one of these camera bodies I have on my “grab and go” shelf – these are the no-nonsense, reliable film cameras that perform and do not get in the way. (I also have another shelf of “slow down” cameras – these are the mechanical masterpieces that have quirky features or unusual operations you have to keep in mind in the field – or look into the manual to find out about this mysterious switch).

Double vision (Farbwelt 200 expired)
Sculptural look (Agfa APX 400)

Link:

http://www.fotolaborinfo.de/foto/ricohkamera.htm#Ricoh_Kauf

On the Mirror’s Edge

When we change our perspective, we add another dimension to the world. The reflective mode mirrors the image in front of us. How do we perceive the world when it is upside down, on the side, or topsy-turvy? Photography is able to add a new way of seeing. Beyond the ordinary, the expected, the usual. Beyond the appearance. These square images represent a selection of attempts to change the angle of our vision. What do we see in these lines?

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More ICM positions

Capturing movement is a challenge since the beginning of photography. Engineers perfected the shutter mechanism over the decades, allowing the camera to freeze the action. However, sometimes the “frozen” nature of an image betrays the dynamic nature of events in front of our eyes. Moving the camera intentionally adds the element of surprise again, the image’s authenticity and integrity complements our way of seeing.

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Moving Lights

Cherry Blossom in Bonn

Every year, the cherry blossom in the city of Bonn draws thousands of visitors. One street in particular, Heerstrasse, attracts fans of nature and color. Here is my collection of images from the venerable old town.

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Re-Framing Structures

Designers create objects with specific structures for a particular purpose. What if we twist and tweak the design and employ a kind of shape-shifting? A fresh angle brings a new perspective. At first, it is unsettling to see the pattern and not be able to identify the object clearly. Once we let go of the ambition to categorize, we start to appreciate the lines and angles as focal points themselves. The pattern becomes the object. The eyes wander along in different directions than usual, the distortion creates a novel journey.

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