Art and Photography
Camera-less photography is another avenue to explore. Spending time in the darkroom experimenting with a mixture of ingredients and a variety of processing steps. Lab time photo-experiments. The paper moves between fixer and developer and back into the fixer. Or the other way around. Every result is unique. The possibilities of adding and subtracting are endless. Playing with tape resists, stickers, silver markers and other improv ideas.
Metal, metal, metal. Voigtländer lenses and cameras are legendary. The Bessa was one of the most popular folder cameras in the 20th century. In the 1960s, the Braunschweig-based company attempted to hold its own against the competition from the Far East. The Bessamatic represents the effort to offer a high-end, sophisticated, expertly machined camera to an audience of amateur photographers with deep pockets. It is heavy, weighing in at more than 900g. It is impressive. Solid. Complex. Full of ideas. Levers, gears and pulleys. A fine mechanic’s dream.
Manual focus, manual exposure. A leaf shutter. My de luxe model from 1962 has a little window with a mirror which lets you see the aperture. Some call it a “Judas window”, others prefer the “nose”.
The Voigtländer Bessamatic eventually offered 9 interchangeable lenses from 35mm to 350mm. The marketing department used the slogan “…because the lens is so good!” The Color-Skopar 50mm is a great lens as well.
The Bessamatic tried to out-compete the Kodak Retina Reflex series and the Contaflex from Zeiss Ikon. It was priced at around 500 DM and pretty much out of reach for the average family in the 1960s. The camera cost about the same as an average person’s monthly salary! Depending on the accessories (the Zoomar lens was and is expensive, since it was the world’s first Zoom lens), the cost could approach the price of a brand new VW Beetle car! (around 3,700 DM at the time).
What I always find remarkable is that the mechanics have held up so well, even if there is a point to saying a little prayer every time you put the Voigtländer into your bag. Not many mechanics can repair a camera like that…I was fortunate to find someone to do a complete CLA after the film transport failed and now it’s as good as new.
The Bessamatic is like a vintage car you take out on sunny Sundays for a drive in the beautiful countryside. Then, you notice all the niceties you didn’t see at first. Designers came up with an ingenious little “foot” to stabilize the camera when you place it on a flat surface.
Many cameras from this era have a satisfying shutter sound. The Voigtländer Bessamatic de luxe is no exception. About 45,000 copies were made.
Links:
Mike Eckman’s review:
http://elekm.net/pages/cameras/bessamatic.htm
Mike Elek’s analysis.
https://simonhawketts.co.uk/2019/09/29/voigtlander-bessamatic-slr-camera
http://thecameracollection.blogspot.com/2010/10/voigtlander-bessamatic.html
https://vintage-photo.nl/all-you-need-is-bessamatic
https://www.juergen-adler.de/technikged%C3%B6ns/voigtl%C3%A4nder-bessamatic/
Recently, I went on a Classic analog photography walk. It seemed the time for the “Land Rover” of cameras, the vintage Nikomat, yes, the Japanese name, produced between 1965 and 1978. This is a heavy body (FT-N, 67-73) with lots of metal, yet very reliable and durable. Totally mechanic with few malfunctions that could not be repaired. The handling is similar to the Minolta SRT series. Here, I have used fresh Kodak TMax100.
