Explorations in Chemigrams (Part One)

Camera-less photography is another avenue to explore. Spending time in the darkroom experimenting with a mixture of ingredients and a variety of processing steps. Lab time photo-experiments. The paper moves between fixer and developer and back into the fixer. Or the other way around. Every result is unique. The possibilities of adding and subtracting are …

Favorite Film Cameras: The Voigtländer Bessamatic de Luxe (1964-66)

Metal, metal, metal. Voigtländer lenses and cameras are legendary. The Bessa was one of the most popular folder cameras in the 20th century. In the 1960s, the Braunschweig-based company attempted to hold its own against the competition from the Far East. The Bessamatic represents the effort to offer a high-end, sophisticated, expertly machined camera to …

Nikomat in Santa Monica

Recently, I went on a Classic analog photography walk. It seemed the time for the “Land Rover” of cameras, the vintage Nikomat, yes, the Japanese name, produced between 1965 and 1978. This is a heavy body (FT-N, 67-73) with lots of metal, yet very reliable and durable. Totally mechanic with few malfunctions that could not …

Favorite Film Cameras: The Welta Weltini

This lovely folder was made in Freital in Saxony before the Second World War. Still fully functional, and a bit quirky. This copy comes with a Schneider-Kreuznach Xenar f/2.8 lens and speeds up to 1/500 sec. Unusual ergonomics as the camera is in a way upside down. But it does fit nicely into your hand, …

Favorite Film Cameras: The Agfa Selectronic 3

Agfa is one of the storied companies of film. Most of the time, Agfa produced affordable consumer cameras to promote its extensive line of film. This particular SLR from the early 1980s is relatively rare and was designed by a famous German design company, Schlagheck & Schultes. The body is black, but it sports the …

Favorite Film Cameras: The Agfa Optima sensor electronic 1035 (1976)

Like all of these pieces, I am interested in the experience of using film cameras. I like to learn about the history they represent, the age in which they were made, the effort to make them competitive. I admire the workmanship that went into these small objects. Here we have a truly small object, the …